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She demonstrated effective drowsiness and her impression of her former stardom was reminiscent of Judy Garland later in life. Vanessa Wainwright was indulgent in this role. The title character, The Drowsy Chaperone, was the diva-ish chaperone to the bride but usually quite drunk – hence drowsy. The two men never missed a beat and it was delightful to see this classic style performed in such a polished and vibrant way. With beautifully smooth vocals and transfixing tap-dancing skills, his performance of Cold Feet with best man George (portrayed by Andrew King) was exceptional. Her rendition of Show Off where Van De Graaf rejects her life on the stage for her husband, majestically showcased Wilson’s leading lady vocals and charisma.Īs her husband to be, Robert Martin, Rhys Rice was slick (even when rollerblading blindfolded across the stage). The audience felt his adoration for the show and fell in love with it alongside him.Ĭarly Wilson was witty and believable as the young starlet, Janet Van De Graaf. It was particularly endearing watching him recreate the dance moves from his chair as they were being lavishly performed next to him. Even when not in the spotlight, Ashwood sincerely showcased a wide range of emotions from his exuberance towards the musical to frustration when reality intervened. These skills shone when addressing the audience making the fourth wall break feel quite intimate as if he was disclosing important information to a friend. With such an easy listening voice, it is no surprise that Ashwood has worked extensively as a voice over artist. A consistent element of merit was every actor on stage achieved the speaking tone and accent that was reminiscent of 1920s musicals which further transported the audience into the Main in Chair’s imagination of ‘The Drowsy Chaperone’.Īs the Man in Chair, Brad Ashwood was perfect and held the show together. It was clear Parkin had a cohesive vision for the show and kept the homage to the 1920s authentic.
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He noted each of the musical comedy parodic elements and played them to a hilt. The subplot of Man in Chair’s own recluse was equally as entertaining as the audience follows his own character arc and sees him in peril over his phone ringing or the lights blacking out disrupting his escapism, juxtaposing the razzle dazzle of the 1920s providing a complete and rich piece of theatre.Ĭombining these two worlds was smoothly achieved under Robbie Parkin’s direction. The show bounced between the musical and Man in Chair’s narration. Things go awry when her producer, afraid that he’s lost his star performer, concocts a plot to sabotage their wedding. The plot within the musical follows the wedding day of Janet Van De Graaf (Carly Wilson) and Robert Martin (Rhys Rice). The show will be performed in the Huss Center for the Performing Arts May 13-15.‘The Drowsy Chaperone’ is a rarely performed gem of theatre and Savoyards have fashioned a practically perfect production.ĭescribed as a ‘musical within a comedy’, ‘The Drowsy Chaperone’ spotlights an old musical theatre fan, Man in Chair (Brad Ashwood), as he earnestly invites the audience to listen to his favourite musical, ‘The Drowsy Chaperone’, and its glamorous, theatrical world unfolds on stage. Maddie will perform the role on Saturday May 14 and Sunday May 15 *Valerie will perform the role on Friday May 13 and Sila LiljedahlĮnsemble: Tottendale’s Staff, Reporters, Wedding Guests: Aarushi Bahadur, Cerena Karmaliani, Annika Kim, Marius Morse, Cassandra Overholt, Maddie Pierce, Ellie Putaski, Kai Sia Sarina Charpentierīuilding Superintendent/Ensemble………………. Annika BrelsfordĬhaperone, Janet’s “drowsy” chaperone………………… Vee Szaj Janet Van De Graff, bride & former showgirl ………………. Valerie Wick* Maddie Pierce*Īdolpho, European lothario……………………. Gangster #2, posting as a pastry chef ………………. Gangster #1, posing as a pastry chef …………. Connor Overgaardįeldzieg, producer and Janet Van De Graff’s former boss……… Leo Sampsell-Jones Robert Martin, Janet Van De Graff’s fiance………. US Theater director Eric Severson announced the 22-person cast list for the Spring Musical, “The Drowsy Chaperone.”